The main room saw a bevy of beauties from Mark Levinson such as the new № 5101 Network Player/Steamer, № 5802 and № 5805 integrated amplifiers teamed with Cary Audio DMS-600 Network Player and SLI-80HS integrated amplifier. And super effective at clearly identifying the undeniable results. This year, in order to more efficiently illustrate the powers of the IsoAcoustics GAIA products, two identical sets of speakers were used, one with, one without GAIA, and instantaneous A/B-ing was facilitated via a remote controlled switcher. They certainly did that when it came to detail and resolution.Ĭonvoy International ran two rooms with the primary one being a showcase for some of the company’s best while the secondary room was specifically utilised to demonstrate the irrefutable benefits of IsoAcoustics’ loudspeaker resonance/internal reflection vibration control. The sound here was detailed and expressive and while the room seemed to limit the potential sound stage width and depth, we know that the components are all more than capable of providing reference level performance in spatial reproduction. All sat on the new Quadraspire SVT racks and hooked with Chord cabling. A Rega Research turntable spun black while further McIntosh support via the new C53 preamplifier and MC452 power amplifier provided an alternative take on the American and Italian combination. #Sound reference melbourne skin#Proving once again that these products ooze substance that runs way beyond skin deep, the McIntosh electronics were highlighted by the super-beautiful MC2152 70th Anniversary amplifier and the new deliciously-designed Sonus faber Olympica Nova II (added support via a duo of REL subwoofers). There’s very little that can compete with the aesthetic beauty of McIntosh Labs electronics and Sonus faber loudspeakers. At this stage let’s just say that Maud is a musician with decades of industry experience and he banded together with key ex-Tannoy engineers to “create products that perform at the highest level with high quality in-house-manufactured components unimpeded by the limitations of big company bean counters.” Mission. The fruits of that interchange will appear within the context of a product review at some stage soon. Fyne Audio’s Sales & Marketing Director Max Maud was at the show and SoundStage! Australia had the opportunity to interview him at length. These speakers disappeared, projecting a huge soundfield with terrific image placement. Support roles were played by an AVM integrated amplifier from Germany. …fine Fyne Audio F502SP speakers from Scotland (now that word association must be getting clichéd by now). Lucinda Williams and Bruce ‘The Boss’ Springsteen among others were delightfully and quite captivatingly rendered via the new and very, umm… In a lengthy audition (by audio show standards), Murphy spun a variety of music with a common theme: beautiful song writing. Chris Murphy from Hi-Fi Collective at the tune-spinning is usually synonymous with wisely-chosen music that avoids audio show clichés.
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